Emotions Of Character
Emotions of character: an idea, an even greater expression. Although the emotions of character I talk about, I do not refer to those dwelling in us all who make us the very people we are, but rather those in which we create, or rather procreate.
What I mean when I use the word 'procreate' is this: we begin to write, and as time passes, we develop those skills till we have refined them to a fine art. The characters we create start out, and we often (if not always) get help from others. We watch others, we observe, we create from what we watch-or rather who we watch- and so from there, we begin to create. Emotions of character are no different.
In creating a character, we often start off with the very basics- gender and name- but as we continue to write our character becomes fleshier, much to our surprise as well as others: discovering who our character wants to be, rather then who we want them to be.
As time goes on, we begin to ad such things as features: eye colour, eye shape. If they are a female character, definition in bust, whether they have curves or are straight up or down. If we are creating a male character, we take into consideration whether they have muscles or are 'plain' in their build. Then later we may move on to discover their tonal changes in their speech and patterns of talking.
Are they staggered in speech? Are they fluent? Are they of English origin or some other origin? What sets them off? What calms them down? How tall are they? Are they slim built, short, tall, fat ...? And the list goes on.
Emotions of character are those traits of one's self, or the traits of a created character that bring it to #life and make it real to the reader- as though they are living the #life of that particular person.
I was once alerted to- more importantly then probably anything else I could have learnt about character- that when we write, we want our readers to become involved in a story, and in the character.
When they are frustrated, the reader needs to feel his/her frustration. When they are falling in love, it is like the person reading it is also falling in love. We must be engaging with our audience and bring them in, so they also will feel (once they put the book down) as though they are still living the #life of the character, or, if the book has drawn to an end, then they need to feel some sort of loss for no longer being able to engage in the characters #life.
In all of this, we must remember that characters are 'humans too' and so, we must treat them so: with respect, care and love.
S.J.Witney
Writer